Imprinting: Mozart & Haydn

Tracklist

Symphony No. 41 in C Major, K. 551 “Jupiter”: I. Allegro vivace
Symphony No. 41 in C Major, K. 551 “Jupiter”: II. Andante cantabile
Symphony No. 41 in C Major, K. 551 “Jupiter”: III. Menuetto. Allegretto
Symphony No. 41 in C Major, K. 551 “Jupiter”: IV. Molto allegro
Symphony No. 104 in D Major, Hob: I:104 “London”: I. Adagio – Allegro
Symphony No. 104 in D Major, Hob: I:104 “London”: II. Andante
Symphony No. 104 in D Major, Hob: I:104 “London”: III. Menuet: Allegro
Symphony No. 104 in D Major, Hob: I:104 “London”: IV. Finale. Spiritoso

Dettagli:

Ottavio Dantone – direzione

Alessandro Tampieri – concertmaster

Accademia Bizantina

Sara Meloni, Lisa Ferguson, Gabriele Pro, Paolo Zinzani, Maria Grokhotova – violins I
Ana Liz Ojeda, Heriberto Delgado, Carlo Lazzaroni, Lavinia Soncini, Karla Bocaz – violins II
Marco Massera, Alice Bizanti, Patricia Gagnon, Jamiang Santi – altos
Emmanuel Jacques, Paolo Ballanti, Alessandro Palmeri, Michela Gardini – cellos
Nicola Dal Maso, Giovanni Valgimigli, Luca Bandini – double basses
Elisabeth Baumer, Rei Ishizaka – oboes
Marcello Gatti, Manuel Granatiero – flutes
Tindaro Capuano, Elia Bianucci – clarinets
Alberto Guerra, Giulia Genini – bassoons
Daniele Bolzonella, Fabio Forgiarini – horns
Luca Marzana, Manolo Nardi – trumpets
Danilo Grassi – timpani

Registrato presso L’Arboreto – Teatro Dimora, Mondaino (RN)

Label: HDB Sonus.

Recensioni:

una dimensión lúdica que aquellos adeptos a las interpretaciones de esta formación reconocerán como un motor fundamental de sus grabaciones: hacer música es una celebración.

La visión de estas obras por parte de Dantone la podríamos calificar como arquitectónica. Parece haber una voluntad de mostrar la estructura de estos dos monumentos del sinfonismo tardo-dieciochesco en toda su claridad

Dantone is able to build excitement not through extremes of tempo or eccentric expressive tweaks but by building the contrapuntal edifice patiently and allowing its symphonic rigour to make its mark – all aided by the characterful playing that is an Accademia Bizantina hallmark. […] Much to enjoy, and plenty to prompt repeated visits.